I try my hand at a gothic calligraphy style

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Silver Wheel for A&S Champs, yes, I spelled Championship wrong… And I got carried away on my s’s – I really enjoy doing gothic short s’s now that Karen taught me a trick to them (don’t think of them as s’s, which is basically what to do with long s’s as well..)

It’s based on the Luttrell Psalter folio 53r, Here’s the whole thing online at the British library – http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_42130 and here’s the book opened to the page I did – http://blancefleur.tumblr.com/image/84238302229

I mostly traced this one (the vines and leaves are all free hand, along with the diapering and whitework), but I’m doing a second that is entirely free hand since the images are really easy to free hand and then I can work them into the design I want more easily. I chose to trace in this particular case because I had procrastinated too long and needed to get the shapes on quickly so I’d have time to do all the layers I wanted to do.

Part of the reason I was rushed with this one was that it’s my first with metal leaf, and that took quite a bit longer than I had expected. I used Mona Lisa’s Silver Leaf from their gilding kit, which I highly DO NOT recommend. Firstly the directions are terrible, and secondly, the ‘silver’ is tin, which is fine, except that it doesn’t cut nicely so it’s really hard to brush away the extra that’s not supposed to be there as when you brush it, it rips across the part you do want. I now have plenty of the much better quality stuff to try, but I thought it might be a good idea to start with the cheaper option to see how it went, and as usual, it was miserable.

The calligraphy was all done Thursday night before it went to the event Friday afternoon, which wasn’t my original plan, but as said, the timeline got pretty compressed due to the silver, and then not realizing quite how much illumination I had bitten off until I was well into the process. (Yes, I do the illumination first, Yes, I know this is crazy, Yes, I sort of regret it for this one due to how the lines worked out, but that was also somewhat due to the compressed timeline for the calligraphy as I didn’t have time to do extensive drafts of how I wanted the calligraphy to fit into the scroll.)

It’s not terrible. Ok, it’s pretty terrible, but given how much Gothic and I do not get along, it’s pretty good. The three things I struggle with the most in scribal are 1) word spacing, 2) Verticals being vertical, 3) Getting my feets correctly on the baseline. (Yes, I’m sure there are lots of other things wrong as well, but these are the ones I’m most working on right now). So the big difference with this scroll was that I used Vertical guidelines for the first time, and it’s something.

1) Word Spacing. Within the word, and between words, it’s still not great, but this is probably the best I’ve done so far in terms of my words all being appropriate distances from each other, and the internal spacing in words is pretty decent. I think the vertical guidelines helped the most with this aspect, mostly as they created a grid that I could use to see how far the letters were from each other, and I could count on them to be regular.

2) Verticals being Vertical. This was the reason I used vertical guidelines for the first time with this scroll, and I suspect they helped, but I’m kinda amazingly oblivious to the guide lines, it’s like my hand just desperately wants to slant all my letters every which way and is revolting against the guidelines. They aren’t terrible, but being gothic it’s really obvious when they are slightly wrong. I really need to practice this ALL THE TIME.

3) Feets. Thankfully this hand has mostly flat feets, I’m especially terrible at getting pointy feets to end up in the right place.. but even with flat feets it’s really hard to remember what I am doing – mostly from a serif perspective, I really love adding little serifs, and this hand has very few serifs. But these feets were also supposed to be square, and that was very hard to do without having practiced enough. I suspect my feets would have been considerably better if I had given myself enough time to actually properly learn the hand and not been rushed.

I kinda want to animate my letters as they have definite personalities.. my Ys are so often drunkenly sliding under the table, while my V’s have too much confidence and my As are desperately trying to hold everything together but failing since their mates dislike them for thinking they are perfect.

You can also definitely see me getting more tired and sliding back into prot0-gothic, but it looks okay. ish.

2 Comments (+add yours?)

  1. Erica or Aibhilin
    Feb 12, 2016 @ 15:37:45

    Greetings,
    I am the recipient of your beautiful artwork. Master Alesone Gray shared your blog with me. As a beginner artisan I am intrigued by the artist’s process as they create various works of art. So, Alesone thought it would be interesting for me to read about your process in creating my scroll. Thank you so much for all the time, effort, and artistry you put into creating such a beautiful scroll. I can’t wait to frame and put it up on my wall!

    Thank you again,
    Aibhilin inghean Ui Phaidin/
    Erica Janowitz

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    Reply

    • Stephanie (Curiositykt)
      Feb 12, 2016 @ 15:52:09

      I am always glad to hear from the recipients of my scrolls! I thoroughly enjoyed working on this project and I am happy that you like it. Definitely check out the source for this one as it’s full of weird and wonderful creatures and designs. I wish I had taken more process pictures of this one, but its sister is getting many more pictures taken so I suggest looking back in a month and you’ll see how the whole thing comes together.

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      Reply

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